“Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe.”
As a writer and someone who tends to ‘feel and think’ his way through life, I have certain subjects I often feel compelled to write significantly about since they intensely stir the very core of my existence. Today, I’m referring to jazz and death – the former with love, the latter with fear. Time to connect the dots.
Please note that this essay is not the big magnum opus I plan on writing one day on these topics, but merely my attempt to broach related issues of an existential nature (breathe, breathe, breathe). In fact, I’m quite aware that in all likelihood I will probably never write what I’d like to, since I’m mindful of the fact that any attempt to do so would fall short … simply because jazz and death are both larger than life. Moreover, descriptions of jazz are just as elusive as rationalizations of death. Most literature provides the gist, but misses the jest. That’s where I come in.
